| 
CHANCE PHOTOGRAPHY | 
Producing a range of images that are uncontrolled
  and unpredictable in their nature. | 
| 
PROGRESSIVE | 
Advancing further than others within the same
  subject area – Using new and experimental ideas, methods, ways of thinking,
  etc. to move forward. | 
| 
INNOVATIVE | 
Approaching already existent subject matter from a
  new perspective, thinking outside the box, being different. | 
| 
PERCEPTIONS | 
The pre-conceived recognition, awareness and
  understanding of a subject. These are unique to the viewer and their individual
  opinion(s). | 
| 
MATERIALITY | 
The nature and quality of a material; its uses and
  properties, and the subsequent perceptions of the substance/matter. | 
| 
DE-CONTEXTUALISING | 
Presenting the subject matter out of context;
  either through misusing, questioning, or removing from the situation. | 
| 
TACTILE | 
Perceptible to touch. The form, texture or medium
  is inviting to feel (pleasing, interesting or unusual experience). | 
| 
CONTEXTUAL REFERENCES | 
A collection of imagery providing insight to the
  potential use of my work in a live situation. | 
| 
ETHEREAL | 
Intangible, "Highly refined; delicate", Heavenly, blurring realities. | 
| 
GELATINOUS | 
Consisting of or resembling jelly; viscous | 
| 
LONG EXPOSURE | 
Photography method which leaves the shutter of the camer open for long periods of time, often causing motion blurr or movement. | 
| 
DRAWING WITH THREAD | 
Using threads or yarns as a drawing tool, mapping out shapes and forms in the way that a pencil or pen would. | 
| 
SURFACE DESIGN | 
The design of texture, form, pattern or design for the intention of being used as it is - within the context of a surface (i.e. tabletop).  | 
| CLEAR - ON - CLEAR | 
Subtle use of mark making and texture, where neither the mark nor the substrate is completely opaque. | 
| 
TANGIBLE | 
Perceptible to touch. See Tactile | 
 
 
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